Gaëlle Mourre - Award Winner “Most Promising Creator”
Fat Red Bird was one of 15 finalists nominated to the 2021 Digital Catapult Awards, out of 540 companies.
November 2021
We are part of CreaTech’s Ones to Watch 2021! A showcase of 100 outstanding UK businesses working at the intersection of creativity and technology.
September 2021
(Hi)Story of a Painting receives further funding from Digital Catapult and Arts Council England through Creative XR.
May 2021
(Hi)Story of a Painting and Red are invited to the New Images XR Financing and Co-Production Market.
May 2021
“I very much enjoyed Gaëlle Mourre and Quentin Darras's immersive 6DoF non-interactive art history lesson about Georges Seurat's La Grande Jatte.”
March 2021
(Hi)Story of a Painting BBC Digital Planet interview with Gareth Mitchell.
March 2021
“(…) arguably one of the most immersive and impressive experiences you can see in a headset today.”
February 2021
Forbes’ top 35 XR Installations of 2019.
February 2020
“L’immersion est […] instantanée”
November 2019
“This year’s New Frontier selections at Sundance point to a participatory future for virtual reality (VR), with fuzzy definitions of the audience, the creator, and the projects themselves.”
February 2019
“Best Social Experience: Mechanical Souls”
February 2019
“The branching storylines and live immersive theater of Mechanical Souls (Gaëlle Mourre, L.P. Lee et al) take what would otherwise be a straightforward 360 video story into a different realm.”
February 2019
Interview with Gaëlle Mourre on directing The Android.
May 2018
“The Feast literally makes an eye-popping, mouth-watering meal of this metaphor - it’s quite remarkable to watch, evoking all sorts of conflicting emotions.”
April 2018
"The Feast (...) sits somewhere on a spectrum between mystery and accessibility; somewhere spectacular. As a work of cinema, The Feast unites the mythic and modern."
August 2017
"The idea behind this gem is original enough to spark curiosity, and completely delivers. I was easily pulled into a world that was moving on and changing (...)"
2015